An independent show guide not a venue or show. All tickets 100% guaranteed, some are resale, prices may be above face value.We're an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed prices may be above face value.We are an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed and they may be priced above or below face value.
The actors voices were strong, the staging was good, the pace of act 1 was slightly rushed (I've come to expect this from Les Mis productions since the early 2000's.) My issue with the production was the "Hamilton" influence of adding modern phrases into the classic book. I don't need to hear Marius say "what's up" when he meets Cosette for the first time. Further the same was done to at least three other numbers where the lyrics were "updated." I also felt that the actor playing Grantaire was directed to play it "like Jefferson from Hamilton only more crude."
Look, I get that I'm one of the only humans to have seen Hamilton and not thought it was the greatest thing that had ever hit the board. However I can't be alone in thinking that we don't need every production to copy their style am I?
Ava from Spokane, Washington
GREAT PRODUCTION MUFFLED SOUND
I know the show - new choreography- loved it! Hard to understand voices at different times, missed quite a bit of the lines which was disappointing.
Devorah McIntosh from Spokane, Washington
CAN NEVER MISS THE CHANCE TO SEE IT LIVE
This was my fifth live theater experience of "Les Miserables" and took a friend who had never seen it who fully enjoyed it. I, however, missed the fluidity of the staging from previous productions e.g.: the original curtain screen and the visually tragic tableau of the barricade when the set revolved to show the defeated and the red swath of the doomed flag - to name a few. I missed much of the previous stage sets and the choreographed moves of the cast. Both actors portraying Valjean and Javert were strong, and Valjean's"Bring Him Home" was exquisite.
Susan D from San Antonio, Texas
We have seen Les Mis 4 times; 3 at this location. This production was so dark that it was difficult to see any characters even from Mezzanie levele seats. The singing was fine but watching this was like watching an old B & W movie with everyone in shadows.
Moises T from San Antonio, Texas
Although I have only seen the show live twice, i have seen the movie and the 10th +25th anniversary shows many times. I have also heard the songs a lot, but this show was a bit of a letdown as far as the musical parts go. At the beginning the actors were caught off guard and for the first two minutes they were entering a second or two late, which is quite a lot in my opinion. I also didn't like the voices of Eponine and Fantine, they seemed squicky, even though their acting was great.
John T from Kalamazoo, Michigan
A GOOD SHOW, BUT NOT GREAT
I will preface this by saying that I have seen so many iterations of this show. I have seen really amazing performances and relatively poor performances. For me, this particular show falls somewhere in between.
-The actors that play Valjean, Javert, and Madame Thernardier carried the show.
-Sounding: It was VERY difficult to understand a lot of the words being sung, and the orchestra was far too loud. I feel my girlfriend (a Les Miz first-timer) missed a lot because of this.
-Lighting: WAY too dark. Hard to watch at times.
-Singing: Everyone had great voices, but the singing all lacked emotion. When Fantine feels hopeless, I want to hear it in her voice. I did not. Thernardier was pretty inanimate. Marius did not sound sad in "Empty Chairs at Empty Tables."
-A personal peeve: Gavroche without the accent. I never understood that.
When I go to see Les Miz, I expect to be on an emotional rollercoaster ride. I didn't quite get there with this cast.
Jay Steger from Indianapolis, Indiana
STUNNING BRING HIM HOME…
While I agree with the reviews below that the sound system made it difficult to understand a lot of the words. But setting this aside, the performance was powerful.
My wife and I saw it first on broadway. But in this performance I heard something I had never heard before in my life.
Late in the solo of Bring Him Home, the lovely sound of both the soloist and the violin were indistinguishable, one to the other, to my ear.
I had never such a thing in my life. I’m not sure if this was because the vibrato of both were perfectly in sinc, but it was quite a moment!
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