An independent show guide not a venue or show. All tickets 100% guaranteed, some are resale, prices may be above face value.We're an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed prices may be above face value.We are an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed and they may be priced above or below face value.
The show was amazing - I have never seen a
production of Les Mis I didn't love. If you have never
seen this I highly recommend the show. In this
production at the NAC 2018 however there were a
couple casting problems with Fantineand Cosette -
both actresses had wonderful voices but their acting
lacked the rawness required of the Characters. They
both seemed better suited to play Dorothy in OZ and
lacked the ability to play a character with raw emotion
pain and absolute love . Other than that the show
was great. I would see it again!
Inez kraus from Charlotte, North Carolina
WONDERFUL SHOW
I’ve seen this show 4 times, two in NYC and
two here in Charlotte. In this production the
voices were wonderful as was the acting. My
disappointment was that much of the words
were unintelligible so if you didn’t know the
show you might not understand the story. The
orchestra seemed to be too loud at times. Also
the staging was extremely dark. However, with
that said, this is one of the best shows ever
performed.
from Los Angeles, California
SOLID AS A WHOLE WITH SOME WEAKNESSES
Thankfully, Javert and Valjean shine. "Bring Him Home" was stellar. Marius and Cosette likewise were fantastic. Thénardiers were ok, though he was quite hard to understand half the time. The only low point was Fantine. Applause for "I Dreamed A Dream" was tepid at best, and understandably so. Very pitchy, unfortunately. Perhaps it was an off performance for Mary Kate Moore? I saw the original B'way production a few months into its run, and I have to admit I miss the circular, rotating stage. I also don't recall the lighting design being so DARK! But perhaps it was, and my memory has faded.
Justin Brooks from Philadelphia, Pennsylvania
TREMENDOUS: GOOD & SOMETIMES GREAT VOICES BUT BAD SET
We have seen many productions of Les Mis, including the original on Broadway, and we really enjoyed this one. Most of the voices were excellent. Nick Cartell as Val Jean, in particular, shone. He comes close to matching the original recordings and production. Thernardier was a bit weak as was the adult Cosette. Maybe they had an off-day. The Philadelphia set was not good and also very poorly lit. All in all, top notch.
Dave from Indianapolis, Indiana
"LES MISERABLES" REVIEW CLOWES HALL INDIANAPOLIS
What more can you say about the play that hasn't been said? This was performed at Clowes Hall, a tremendous venue architecturally and with great staging and lighting. A wonderful theater. I saw previous complaints here about the sound quality at other theaters, not the case here -- I'd give it a 9 out of 10. The voices were very strong, again a 9 out of 10. The sets were not as elaborate as of seen with another production of Les Miz, (I'm guessing if they move from one city to the next every 1-2 weeks they do a little downsizing,) but they made up for it with some innovative lighting and staging, especially Javert's fatal plunge -- that effect was amazing. They threw in small and updated changes (I think) from other versions -- at least I noticed them. Where it was supposed to be funny -- it was, tearful -- it was, joyful -- it was. Enthralling and moving, a good night for touring Broadway in Indianapolis.
Theatrepro from St. Louis, Missouri
LES MIS FIRE
Les Mis is one of my all time favorite shows. I saw it on Broadway for the first time as a child in 1988. I have worked on the show multiple times in my professional career as a technician. This production has issues. It also has some great performances. Val Jean, Fantine, Javier, Madame Thenardier, Marius were all up to the task if you could find them on stage in the "artistic theatrical lighting". Give me a tech rehearsal so I can please fix your lights. The lack of a turn-table ruins the staging of the show. Uninspiring battle at the barricade. Thenardier often my favorite was rather stiff and don't get me started on Epinine, though she did redeem some of her signing in Act II. Empty chairs and empty stage would be a better title for the song. The use of the projection was a welcomed addition and wasn't overused. Why do people try to recreate perfection only to destroy the heart of what made it so true?
Dorothy from Cleveland, Ohio
LES MISERABLES, CLEVELAND, OH
Very dim set lighting. I was distracted how dark everything was. I kept waiting for the set to lighten up, but it never did. I thought it felt a little rushed. I knew the story and songs so I understood what was going on, but someone unfamiliar may have trouble following it. Not sure if it was the sound clarity. Female singers were excellent and children too. I thought the male singing not as strong at times. My first experience of seeing this was via the movie so I think it ruined my theatre viewing of this production.
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